Criminal Profiling Topic of the Day: No Country is, quite simply, No Good
Everyone is raving today and claiming the Oscars have finally got it right because No Country for Old Men nailed the awards. I, however, am not thrilled. This means I am either out of tune with what people today think has merit or I am that little boy who says "But the emperor is naked!" Why No Country for Old Men won four Oscars and why almost every critic and filmgoer thinks this film is a masterpiece is totally beyond me. I hated the film. I really hated it.
Let me qualify my film tastes because if I only think movies like Mary Poppins are good, then one could understand I have limited scope and No Country would just be too far outside my mindset. This is not the case, however. I love "Reservoir Dogs" which would eliminate the idea I cannot handle a movie with blood, violence, and sick psychopathy. I also have always put the Coen brothers at the top of my favorite directors list: Blood Simple (clever mystery and great film noir styling), Fargo (gotta love the characters), The Great Lebowski (quirky issues), and even, O' Brother...because it was an amazingly feel good film that had one smiling when you came out of the theatre (quite the opposite of how I felt after No Country).
So, I saw No Country the minute it hit the theatres, before there was a buzz or any expections one way or the other. I went alone as well, so I had no one to worry about liking a Coen flick. I had popcorn and my soda and a good seat. Nothing helped me like this film. I hated it from first killing scene to the bitter grueling end. I thought it was gratuitously violent, pointless and terribly boring. It was nothing, in my opinion, but a teenage boy style gore film that dragged on and on. I found it offensive, to my sense of decency, my intelligence and my use of time. I was most offended that directors I respected had fallen so far from good film making that they jumped on the gore film obsession train out there and put together such a vile, useless film. I guessed maybe they were in a dual midlife crisis and desired to be cool "young" dudes again. I dunno.
I figured I was not going to be alone. A lot of people don't like the Coen's movies anyway, so I figured they would be trashed over this film. I figured many would be offended by the sickness of the film and the gore freaks, even if they like the killing scenes, would be bored by the tediousness of the rest of the film. I figured the film would bomb.
But, then I kept hearing the Oscar buzz, about how great No Country was and critic after critic rang out its praises. I thought, wtf? Did we see the same film? I googled all the way to the end of the search results and I googled the blogs searching for someone else out there in the vast universe who thought the film stunk. I found a few folks who felt as I did about the film, but, only a few.
I can't figure it out. If you hated this movie, please, give me a holler. In a year where the only other movie getting constant rave reviews was Superbad, No Country seems to seal the fate of the direction the American movie industry is going...straight into the crapper. No Country for Old Men may indicate this will become No Country for Decent Movie Going and the award for sending us to join the French goes to ::drumroll:: Joel and Ethan Coen::applause::.
Criminal Profiler Pat Brown
Let me qualify my film tastes because if I only think movies like Mary Poppins are good, then one could understand I have limited scope and No Country would just be too far outside my mindset. This is not the case, however. I love "Reservoir Dogs" which would eliminate the idea I cannot handle a movie with blood, violence, and sick psychopathy. I also have always put the Coen brothers at the top of my favorite directors list: Blood Simple (clever mystery and great film noir styling), Fargo (gotta love the characters), The Great Lebowski (quirky issues), and even, O' Brother...because it was an amazingly feel good film that had one smiling when you came out of the theatre (quite the opposite of how I felt after No Country).
So, I saw No Country the minute it hit the theatres, before there was a buzz or any expections one way or the other. I went alone as well, so I had no one to worry about liking a Coen flick. I had popcorn and my soda and a good seat. Nothing helped me like this film. I hated it from first killing scene to the bitter grueling end. I thought it was gratuitously violent, pointless and terribly boring. It was nothing, in my opinion, but a teenage boy style gore film that dragged on and on. I found it offensive, to my sense of decency, my intelligence and my use of time. I was most offended that directors I respected had fallen so far from good film making that they jumped on the gore film obsession train out there and put together such a vile, useless film. I guessed maybe they were in a dual midlife crisis and desired to be cool "young" dudes again. I dunno.
I figured I was not going to be alone. A lot of people don't like the Coen's movies anyway, so I figured they would be trashed over this film. I figured many would be offended by the sickness of the film and the gore freaks, even if they like the killing scenes, would be bored by the tediousness of the rest of the film. I figured the film would bomb.
But, then I kept hearing the Oscar buzz, about how great No Country was and critic after critic rang out its praises. I thought, wtf? Did we see the same film? I googled all the way to the end of the search results and I googled the blogs searching for someone else out there in the vast universe who thought the film stunk. I found a few folks who felt as I did about the film, but, only a few.
I can't figure it out. If you hated this movie, please, give me a holler. In a year where the only other movie getting constant rave reviews was Superbad, No Country seems to seal the fate of the direction the American movie industry is going...straight into the crapper. No Country for Old Men may indicate this will become No Country for Decent Movie Going and the award for sending us to join the French goes to ::drumroll:: Joel and Ethan Coen::applause::.
Criminal Profiler Pat Brown